Someone who has a variety of hobbies can draw on the other parts of who they are to boost their self-esteem and find purpose. DS : Are there any risks associated with pursuing other interests that we should be wary of? LC: Doing too many activities can lead to burnout. To keep burnout at bay, don't forget to make rest and self-care your hobbies too! Kristen Harlow on the relationship between dance commitment and hobbies: "I believe dance can still be your favorite hobby, as you allow yourself to explore new creative outlets.
That is the beauty of being an artist: We can use our love for art to try new things! During the pandemic, all I wanted to do was spread joy, and because we couldn't be together dancing in NYC, baking became the next best thing for me. Kristen Harlow on the similarities between baking and dancing: "Ever since I started Kristen's Kreations, I have realized probably thousands of different similarities between the two.
Dance for me has always been my source of joy and motivation, and baking quickly became the same. Kallie Takahashi on her own nondance hobbies: "I love to sew and design my own clothes.
Sometimes I will just do small alterations on old pieces that I already own, sometimes I'll buy something knowing I want to completely take it apart, or I will even start from scratch by picking out the fabric and dreaming up whatever I can imagine.
Kallie Takahashi on the lesson both dance and sewing have taught her: "Patience is everything. You aren't going to get it right on the first try, but that doesn't mean you won't learn something on the way. Kallie Takahashi on the benefits of being versatile: "Expanding your horizons allows you to be a more well-rounded individual and gives you more outlets to express yourself. And who knows, the industry is so versatile, maybe that other interest will help you in your dance career in the long run—special skills and all!
Kallie Takahashi models the pants she made. Photo courtesy of Kallie Takahashi. Ultimately, finding balance with dance and other hobbies might be challenging to navigate at first, but it is well worth the work in order to let your best qualities shine. Angyil's list of battle wins is so long, you'd be forgiven for assuming she's been a hip hopper her whole life. But back when she was a tiny dancer, Angyil actually started out with ballet classes in Kansas City, Missouri.
Photo courtesy of Red Bull. Angyil: I originally was in a bunch of different after-school activities: the robotics team, the debate team, all of these teams. And then dance became an activity at my school. I fell in love, and went on to a performing arts school where I studied ballet, jazz, Graham modern, tap.
Angyil: A lot of the Ailey teachers would come to Kansas City every summer. At the end of the intensive, they picked students who they thought had a promising future.
I was one of the students picked to fly to New York and train there. Angyil: I was tired of putting my hair in a bun. I know that sounds crazy. I appreciated the discipline of concert dance, but felt like I couldn't be free—like I couldn't allow my body to move however my muscles wanted to move. Music also played a big role. I wanted to hear music that resonated with my soul, with my mood and personality. Ballet definitely taught me a lot when it comes to discipline and training.
But I decided to just go with hip hop, which felt the closest to my authentic self. Angyil: The people that I trained with were like, 'Your posture is way too proper. You need to break your posture. That, and my feet were always turned out. Angyil: Performance. It's still about performance at the end of the day, regardless of whether it's on the street or another everyday place, or in a theater. You're still responsible for turning it on and performing your best.
Angyil: I don't think ballet dancers realize how structured and serious hip hop can be. The focus is a bit different, but it's to the same level.
Just like there's vocabulary in the ballet world, there are names for everything in hip hop as well. There's freedom in the display, but structure behind it. Just because you're smiling and look like you're enjoying yourself doesn't mean you're not working extremely hard at a move. Reviews have always been easier for me to stomach - not because I know how to handle criticism, but mainly because I know that some critics write to show how good a writer they are, not with the intention of getting people to see more theater.
Reviewers have such colorful ways of saying something was not to their liking that you have to applaud their writing skills - but the level of pretentiousness that comes from some reviewers makes me laugh more than anything.
Even after some less than favorable reviews, I have been proud to go into the show that night and be with my insanely talented cast members and make people feel something that only a live show can provide. Take everything with a grain of salt, right? Be critically minded and kind tongued when you see your friends, and also strive to receive your friends thoughts graciously.
After all, who wants to be friends with someone who tears apart everything you do? A competitive dancer for ten years, Keats then made the leap probably a switch second to college and after earning a BFA in performance dance from the University of California, Irvine, he made the jump Sauter de chat for sure this time from working as a parade performer for the Disney corporation to dancing on cruise ships.
After a year at sea, he taught as a guest artist in residence for a semester at Colorado Mesa University. He is a passionate, full out dancer who enjoys cultivating an entertaining life in NYC. Here are a few ways you can get feedback in dance:. Here are a few ways you can get feedback in dance: Forms of feedback Recording — This technological age has brought with it a revolution of the norm.
Before smartphones and cheap recording and playback devices, a student would only see their dance moves through a mirror or if they were lucky enough to make it to films. Nowadays, all you need is a smartphone to record your dance moves and identify areas of improvement. Mirrors are a perfect way to get immediate feedback while you dance. In dance, one of the most important aspects, other than quick feet is perfect form. You can adjust your form on the dance floor if you see from your image that you do not have it right yet.
Good form is very important not only for a good routine but also to prevent potential injury. Or just after a performance? How did it feel? Was it useful? Were you able to apply the feedback right away? Did you remember it? Did you have time to integrate the information? Emotionally, how did you feel after the feedback? Timing of feedback is important to ensure that information is retained and acted upon to enhance performance.
Traditionally, choreographers and teachers tend to give notes to dancers up until the last minute before they go on stage or just after a performance. But is it helpful? At this point in the creative process, there is rarely time to adjust dance technique itself. Dancers might be able to process cues on spacing or ensuring that they know how to adapt the piece from the studio to the stage. Giving them corrections shortly before they go on stage may increase anxiety and decrease the ability to perform optimally.
The type of feedback provided at this point is very important to consider to ensure dancers feel competent and can do their best on stage. Prior to a performance, positive reinforcement and positive feedback can show your students that you believe in their abilities and that you trust that they will do their best.
Typically, choreographers and teachers tend to give notes right after a performance. Since their attention will often not be focused on the feedback provided, consider waiting until the next time you meet for class or rehearsal. It is important to leave dancers time and space to recover, breathe and cool down.
If the performance did not go well for a dancer, they might need some encouragement and help to refocus their attention, so ensuring that they are in a positive mindset next time they perform the work. When providing verbal and tactile feedback you have a responsibility to your dancers. They are reliant on your words and touch in order to enjoy their dance experience, as well as to improve their abilities.
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